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Crisis in Venezuela: What’s Next?

On Jan. 3, 2026, the U.S. carried out a covert operation to apprehend VenezuelanPresident Nicolas Maduro and his wife, Cilia Flores de Maduro, bringing them toNew York to face four federal charges. In 2020, the U.S. charged them both for sourcing narcotics being smuggled into the United States. Now they are both facing a comprehensive judicial trial.

Maduro has been president of the country since Hugo Chavez’s death in 2013 and has a history of declaring victory for himself in all elections since. For example, in the 2024 election, his opponent Edmundo Gonzalez won the election by almost 40%, yet Maduro remained in office. Maduro is known for his involvement with the Cartel of Suns, a drug trafficking organization that was recently named a Specifically Designated Global Terrorist by the U.S. Government. The Department of Justice had been waiting for years to bring him to justice, and now that process has begun.

Venezuelans have rejoiced over Maduro’s capture and over Trump’s plan to oversee the installation of a new and uncorrupt leader. However, immediately after Maduro’s capture, his close ally, Delcy Roderiguez, was sworn in as interim president, potentially throwing a wrench in Washington’s agenda. 

Carlos Paez, a political science major at John Brown University and a Venezuelan who was forced to leave his country, commented on the regime change.

“I welcomed the news of Maduro’s capture, but excitement quickly dwindled as we realized that the regime was, at least for a time, going to stay,” Paez said. “The regime is still in power, and things have not necessarily improved inside the country either, other than the hope of atransition to democracy sooner than later.”

Since Rodriguez has come to power, she passed the Oil Reform Bill, which opened up the country’s oil industry to foreign investment, particularly with the U.S., as the Trump Administration pressured after Maduro’s arrest.

Though Trump has claimed his intention to help reform the government, critics are concerned that real political change may be pushed to the sidelines in favor of financial gain.

“Democratic transition in Venezuela should be the priority in U.S. foreign policy, but there’s doubts on whether this is or will be the case,” Paez said. “Trump wants to spur investment in the oil industry, but companies are thinking twice, considering that the regime is still in place. My real concern is that Trump becomes comfortable with the new oil contracts agreed with the Chavista government and pays a blind eye to the only thing that can truly lift Venezuela: a return to sound, democratic institutions.”

Photo by Aboodi Vesakaran via Unsplash

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Sports


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JBU's First Friday Fútbol Kicks Off Season

John Brown University’s beloved First Friday Fútbol tradition kicked off the school year, drawing hundreds of students and families to Alumni Field on Aug. 29.

The evening featured great performances by both JBU soccer teams. The women’s game began at 5:30 p.m., with the Golden Eagles defeating Avila University (Mo.) 11-0. The men’s game followed at 7:30 p.m., with JBU securing its first win of the 2025 season, defeating Hesston College (Kan.) 7-1.

For many players on the team, the night carried extra significance as it marked the start of their final season playing in front of the JBU community.

“I think it was a night full of emotions. As a senior on the team, it moved me to know it was my last First Friday Fútbol with the entire JBU community. Seeing everyone supporting us, cheering, showing their school colors and enjoying the game motivated me and filled me with joy,” said senior soccer team member, Steven Cisneros.

“The whole team is very motivated, and we hope to win this season,” Cisneros added.

First Friday Fútbol was also for many freshmen their first-semester activity and an introduction to campus traditions and school spirit.

“It was quite a new activity for me, very different from what I’m used to, but I really liked it,” said freshman Santiago Mondragón. “It was impressive to see people so passionate, and it was very fun to see everyone with their faces painted and even their whole bodies in JBU colors.”

The event drew its typical enthusiastic crowd, with students grabbing to-go boxes from the cafeteria before heading to the field to cheer on their Golden Eagles. The celebration also included free Kona Ice and kettle corn, adding an extra treat for attendees.

“I was surprised that they won so much, but the atmosphere was great. I loved it,” said freshman Hugo Ambrosio, who attended the whole game with friends.

First Friday Fútbol continues JBU’s tradition of bringing together students, faculty and families for an evening that celebrates both athletics and university spirit.

Photo Courtesy of David Camacho 

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Opinion


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Are the Fates of Adaptations Sealed? Percy Jackson and the Olympians Season 2 Review

Waves of episodes have now ceased to be released on Disney + since the second season of Percy Jackson and the Olympians aired on Dec. 10, 2025. The plot continues where season 1 left off, with Camp Half-Blood’s protective shield beginning to dissipate. It is up to the demigods Percy (Walker Scobell), Annabeth (Leah Sava Jeffries), Clarisse (Dior Goodjohn), and their cyclops friend, Tyson (Daniel Diemer), to retrieve the golden fleece. Reuniting with their satyr friend, Grover (Aryan Simhadri), the heroes adventure through the Sea of Monsters in a race to retrieve the fleece before rebel demigod forces do.

As a quick warning, there will be a few spoilers for the show moving forward. The series has a relatively low rating of 7.0/10, considering the well-received nature of the original book series. A reviewer rates it perfectly claiming “the chemistry was amazing.” While another reviewer claims the show is a complete disgrace to the source material. With the original author, Rick Riordan, being very hands-on with the adaptation process, I speculate the rating given reflects the polarizing changes made to the beloved original plot.

The most major departures from the book were the absence of time spent exploring the Sea of Monsters, the addition of a major battle at camp half blood, and other smaller scene alterations. These changes, despite having Riordan’s endorsement, have divided many on what is and is not canonical. Having said this, I believe that the changes, not affected by the budgeting, were necessary to truly adapt the source material and convey the essence of the characters in visual media.

The most notable scene addition that I considered brilliant was the moral dilemma presented to Percy as he decided whether to give up the fleece to the enemy to save Annabeth, or to keep it and fulfill his quest to protect the camp. This change brought a fresh suspense to this critical quest scene, while also allowing the viewers the chance to glimpse into the thoughts of the characters during a challenging moral conflict. One major benefit of the original written literature format was the ability to read perspective-specific chapters. With the show’s broad view and carefully crafted shots, the medium lends itself more to action and plot, over first-person internal dialogue.

Other than the narrative changes, I really loved the sets and costumes of the show. From Percy’s toga to the massive cruise ship of Luke Castellan (Charlie Bushnell),everything looked less like Percy Jackson made realistic, but rather the fictional novel coming to life. The overall feel of the show, between the combination of colors and humor, really struck me as familiar and nostalgic. However, one thing that bothered me while watching the show was the use of the score. The score, while being forgettable, seemed to overpower the dialogue in strange parts of the show.

Other than that, I enjoyed the season and am even more excited to see The Titan’s Curse be adapted to film for the first time in history this year. In my opinion, I agree with the 7/10 rating. I think the show had some genuine moments with phenomenal acting. I also think that the show has room to grow better with each season. With the three young protagonists growing up, I do see the urgency to film the upcoming seasons and hope that Disney takes the result of Netflix’s Stranger Things as a cautionary tale.

Photo by Hope Brittenham

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Lifestyles


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Streaming Services Respond to Backlash and Boycotts

Spotify, a music streaming service, is facing a growing wave of user boycotts and artist pushback following a series of controversies involving artificial intelligence and federal immigration advertisements. Meanwhile, their competitor Bandcamp doubles down as a platform that prioritizes human-centered connection.

Bandcamp, an online record store popular with independent artists, officially announced a total ban on AI-generated music on January 13, 2026. The company’s new policy prohibits any audio “generated wholly or in substantial part by AI” and restricts the use of AI tools to impersonate other artists.

“Bandcamp’s mission is to help spread the healing power of music by building a community where artists thrive through the direct support of their fans,” the company said in an official statement. “We believe that the human connection found through music is a vital part of our society and culture, and that music is much more than a product to be consumed.”

Bandcamp's decision contrasts sharply with Spotify, which has been criticized by users for allowing its “DiscoverWeekly” and “Release Radar” playlists to be populated with low-quality, algorithmically generated tracks that often mimic existing artists.

The dissatisfaction reached a boiling point in late 2025 when Spotify began running recruitment advertisements for U.S. Immigration and Customs Enforcement (ICE).

While Spotify confirmed in early January that the ICE ads had ceased running due to backlash, a spokesperson told Mashable the campaign ended simply because the government contract had expired. According to The Independent, Spotify defended the ads as compliant with its advertising policies, noting they were part of a “broad campaign” across many media platforms.

The controversy has pushed some artists to pull their music entirely. The post-hardcore band Thursday and labels like Epitaph Records have publicly called for platforms to better reflect the values of the music community.

“Artists and fans deserve platforms that reflect the values of the culture they sustain,” Epitaph Records wrote in a recent social media post

Adding to the friction is Spotify CEO Daniel Ek’s personal investment in Helsing, a military AI defense company. Critics argue that the platform’s reliance on AI algorithms and its leadership ties to military technology are at odds with the creative spirit of the music industry.

Despite the boycotts, Spotify has maintained a large portion of its loyal listeners, reporting 281 million premium subscribers by the end of 2025.

For now, Bandcamp is encouraging users to use its reporting tools to flag suspected AI content, taking an opposite approach to Spotify.

“We reserve the right to remove any music on suspicion of being AI-generated ... We are fortifying our mission so that fans have confidence that the music they find on Bandcamp was created by humans,” the company said in a public statement.

Photo by Possessed Photography on Unsplash

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