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If Music Be the Food of Love: When Shakespeare Finds a Melody

Have you heard the word on the street? John Brown University’s Department of Music and Theater was host to gossip, betrayal and scandal in the musical adaptation of William Shakespeare's legendary play “Twelfth Night.” The adaptation by Kwame Kwei-Armah and Shaina Taub was directed by Department Chair Liesl Dromi and Assistant Professor Lisa Auten and performed in Jones Recital Hall. While the smaller stage was not ideal for attendance, the intimate setting provided the audience with a close-up experience that felt like it was being told through the grapevine or social media gossip.

For those unfamiliar with the story, twin Viola (Ava Villarreal) must take up the identity of her identical brother, Sebastian (Landen Purdy), after he appears to be lost at sea. She falls for her employer, Duke Orsino (Seth Childs) who is in love with the grieving Lady Olivia (Emma Biebighauser). Instead of falling for the Duke, Olivia falls for the disguised Viola, creating a twisted love triangle and a crisis of identity. Lovers of early 2000s romcoms may recognize this plot from the 2006 film “She’s the Man,” which also follows Shakespeare’s story.

Although not a modern take, the introduction of music created space for moments that connect with modern audiences. One of the chorus members, played by Freshman Kara Presley, carried around an iPhone in songs like “Play On” and “You’re the Worst,” which accentuated the modern image of gossip.

“I loved working through the differences in Shaina Taub's adaptation of “Twelfth Night.” Her music added new opportunities for contemporary comedy and leaned further into themes of community, joy, and modern accessibility,” Villarreal said.

Another way that modern moments were added into the musical was through the addition of contemporary music in the middle of Shakespearean English.

“While the dialogue remained original Shakespearean verse, the songs were in modern English, allowing for a more comfortable understanding of the plot. Songs like 'Word on the Street' especially achieved this, transforming the 'confusion' of the plot into a vibrant atmosphere of gossip,” Villarreal said.

The vibrant atmosphere was aided by colorful costumes, makeup, lighting and set design. The colorful setting was matched by the energetic portrayal of characters by actors like Sophomore, Jaxon Shally, who played Olivia’s inebriated uncle, Sir Toby Belch, Senior, Hudson Langhofer, who played Sir Toby’s often blubbering friend, Sir Andrew Aguecheek and Junior Garrett Cote, who played the pompous Count Malvolio. The Count’s song, “Count Malvolio,” was one particularly catchy tune, which, when paired with the comedic timing of Cote and the chorus group, left the audience roaring with laughter.

Underlying character can also be developed with the addition of music and differing vocal choices. Sophomore and Psychology major, Abby DeSpain, took a deeper look at the character of Malvolio in this way.

“It was catchy, but I felt like it was also revealing. Most people would say it was an upbeat and happy song, but I think he’s a narcissist,” DeSpain said.

The music also takes on new life from a vocalist perspective.

“Some of my personal favorite vocal moments include the verse, 'Who am I besides how I look to you?' in 'Viola's Soliloquy,' and pretty much the entirety of 'I Am She.' A few favorite moments from my cast members were Julia’s performance of 'Is This Not Love' and the unique character in each voice during 'Word on the Street,'” Villarreal said.

While the inclusion of music allowed for humor and connection to the contemporary, it also allowed the actors to explore the characters in a deeper way.

“Within this musical adaptation, I tried to stay as true to Viola’s character as written in the original play. However, the addition of music deepened her dynamics; it opened up the opportunity to play into the anxiety and yearning of being trapped between two identities,” Villarreal said. “In the original play, she often shields her inner life through wit, but in the musical, her soliloquies offered a direct window into her thoughts as she confesses her feelings to the audience.”

John Brown University's Theater Department will conclude its semester of performances with fifteen different one-act plays directed by performing arts students on April 24 and 25.

Photo provided by JBU Theatre Department

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Sports


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Southwestern University Met Its Match Against JBU Tennis

On Saturday, Feb. 21, the Golden Eagles tennis team was able to complete a full sweep, despite less-than-favorable conditions. It was cold and windy as JBU competed against Southwestern University at the JBU Tennis Facility arena.

The match day started with the doubles games in which JBU players Andrew Aylor and Spencer Keeter won 6-2 for an early victory. In the second game, Grant Hinkle and Jonathan Hillock won 6-1. For the third game, Lucas Machado and Santiago Jaime were supposed to play, but Southwestern University didn't have enough players, so the game was won by forfeit.

After the John Brown University men’s tennis team swept the doubles games, the singles games began. Machado dominated the contest, winning the first set 6-3, the second set 6-1.

“In the first few games, I noticed that his backhand was his weakness. After realizing that, I started serving to his backhand to begin the points, which allowed me to open up the court and take control of the rallies. When returning his serve, I focused on hitting through the middle of the court at first, and then I began creating wider angles to his backhand. Overall, my strategy was to target his weakness and use it to my advantage,” Machado said.

For the second single game, Hillock won both sets 6-1 for a quick victory.

In the third single game, Jaime won the first set. Then for the second set, Jaime was able to have a bigger lead, winning the set 6-3.

I felt really good during the game, and I think I did well overall. In the first set, I didn’t play so well, but in the second set I improved a lot by focusing more and playing smart,” Jaime said.

For the fourth and fifth singles games, which were played by Aylor and William Prochazka, they were able to complete a full sweep. Both won their singles games 6-0 in both sets.

For the last single game, Hinkle won the game by default because they didn’t have enough players.

The Woman's tennis team won by default all of the games because Southwestern University didn’t have enough players to play the games needed.

Photo by David Camacho Padilla

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Opinion


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To See or Not to See ("Hamnet": No Spoiler Review)

Countless adaptations of William Shakespeare’s legendary plays have hit the big screen, yet very few films have focused on the life of the famous playwright. So, when I heard that Chloe Zhao had released a screenplay of Maggie O’Farrell’s novel, "Hamnet" (2020), I knew I had to watch it.

Released on Dec. 5, "Hamnet" (2025) follows star Paul Mescal as William Shakespeare, who is a struggling artist looking for companionship. Upon finding his wife, Agnes (Jessie Buckley) he starts a family consisting of Hamnet (Jacobi Jupe), Judith (Olivia Lynes) and Susanna (Bodhi Rae Breathnach). The narrative follows the family as they navigate the unforgiving world of 16th-century England.

"Hamnet" merged many elements of previous A24 productions like "Ladybird" (2017) and "The Green Knight" (2021) all throughout the movie. Specifically, I noticed the artful capturing of the domestic tension and the beautiful rendering of color in both nature and costume design. I particularly loved the use of colored costume pieces to represent Will and Agnes, where Will dons this royal blue, and Agnes is adorned with a ruby red, both of which are highlights in the forest’s green atmosphere. With the representations of these three primary colors, there is a symmetry in the palette chosen for the scene.

This symmetry is what makes the entire movie for me. In many scenes, there are still panned-out camera shots held for an unusual amount of time, making the audience feel like they are truly living the experience. One scene in particular portrays marital tensions between Will and Agnes, all from the confines of Shakespeare’s desk. In this single shot is writing, arguing, tending to a crying baby and a resolution that made me enthralled in the domestic activities in the film.

Additionally, the writing and dialogue for this movie were genuine, realistic and also timely. This movie has a perfect balance of witty allusions to Shakespeare’s works, built on a strong foundational narrative that anyone can understand. The only complaint that I had about the writing was one scene where Shakespeare considers his mortality, culminating in a performance of Hamlet’s famous “To be or not to be.” While many might find this interesting, to me it felt forced into the story and slightly tacky.

Mescal’s performance was breathtaking and polarizing, as his fatherlike qualities show through, yet the compelling pursuit of his work makes the audience question his success. Buckley’s deep understanding of her character contributed greatly to the work as a whole. She truly embodied the pains Agnes endures in the movie, both physically and emotionally.

Following the release of the film, "Hamnet" has received a widely praiseworthy 7.9/10 on IMDB and an 87% on Rotten Tomatoes. With the Oscars just recently occurring on March 15, Buckley deservedly won in the category of Best Actress.

"Hamnet" was a beautiful, skillful, and gut-wrenchingly emotional project. If I had to rate it, I would give it a 8.5/10 for the cinematography, use of color and creative narrative. If you or your friends decide to watch this movie, I recommend you have a clear afternoon, your favorite blanket and a box of tissues just in case the movie brings you to tears.

Photo provided by Abby Rurenko on Unsplash

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Lifestyles


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Pinching, Pirates and Protestantism! St. Patrick’s Day Traditions

Another St. Patrick’s Day is here and past! But who was he, and why is he still so celebrated? Saint Patrick is the patron saint of Ireland and is known for several legends that surround his life, the most popular being that he drove the snakes out of Ireland and used the shamrock to explain the Trinity. However, few know the true story behind this Irish mythic figure.

Who?

Patrick grew up in the church in Glasgow around the 5th century in a practicing Christian family. However, during his teenage years, he denied Christ because of his love for earthly pleasures. But when Patrick was kidnapped by pirates and sold into slavery, he turned back to his Christian roots.

"I was 16 years old and knew not the true God and was carried away captive; but in that strange land the Lord opened my unbelieving eyes, and although late I called my sins to mind, and was converted with my whole heart to the Lord my God," Patrick wrote.

After this event, he was rescued from his misfortunes and returned home with a new heart to spread the gospel. However, his influence has lived on beyond his life, with many traditions that honor the legacy of St. Patrick.

Wearing Green

Interestingly enough, if Patrick were here today, he would probably not understand why people wear green in his honor, as most artistic depictions and accounts of him show him in a blue robe. The green that is sported by holiday enthusiasts all around the world is representative of the Roman Catholic majority in Ireland at the time of the 18th and 19th centuries.

Wearing Orange

Around the same time that green was adopted as a St. Patrick’s Day icon color, Protestants rebelled by sporting the color orange. This was in reference to the great William of Orange, who conquered the English monarch King James II in 1688 in what is called the “Glorious Revolution." This event was a key, rare point in history where a Protestant became the ruler of England, Ireland and Scotland.

The Shamrock

It is almost impossible to go anywhere on March 17 without seeing a three-leaf clover. Some say it brings good luck, while others say it explains complicated theological doctrines, but it is really a symbol of Irish pride. In the 16th Century, England was increasingly assimilating Ireland into its territory, language and religious practices. Consequently, Irish folk adopted the symbol of the shamrock to display their Irish nationalism as a sign of rebellion.

 

The Leprechaun

The Leprechauns, despite having their own holiday, are associated with St. Patrick’s Day because of their ties to Ireland’s Celtic roots. Leprechauns are mythological fairies that originally were called “lobaircin,” meaning “small-bodied fellow.” They are said to be makers of shoes and brogues, which is a specific type of stitching pattern in leather shoes. Legend suggests that the sound of the Leprechaun’s cobbling hammer is a sign of his presence and that his treasure resides with him.

Now you know a bit of the long-lasting tradition of honoring the patron saint of Ireland. Have a happy St. Patrick's Day!

Photo by Hope Brittenham

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